Munich
I have created Kicked It In the Sun in the hopes of creating a forum where we can all discuss sports, music, movies, and politics etc. A few times a week I will add links to any articles or videos etc for your enjoyment. Please email me with any links to anything you think others would appreciate as well. On the right hand side I have included links to websites I check on a daily basis.
Good for her...
Posted by
Trent
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7:58 AM
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I have seen every episode so far and I think it will stick around. As someone who occassionally indulges in viewing the very shows Colbert is satirizing, I can easily say he has hit the mark. However, I think it's an uncomfortable half hour much like the oringal Office was and Curb Your Enthusiasm still is. The humor is cringe inducing but nonetheless funny. Your thoughts America?
Click headline to go to Seattle Pi article.
Posted by
Trent
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7:52 AM
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Here is the song list. You can import the CD into your IPOD and just copy and paste the list below to your playlist.
Half Acre Day Action Figures Fault
Death Cab For Cutie Your Heart Is An Empty Room
Doves Some Cities
Franz Ferdinand Walk Away
Audioslave Doesn't Remind Me
Tea For Julie Still Life
BRMC Aint No Easy Way
Spoon I Summon You
Oasis Lyla
The Go! Team Ladyflash
Gorillaz Dare
Brian Jonestown Massacre Never Become Emotionally Attached
Clap Your Hands Say Yeah Over and Over Again
Fruit Bats Lives of Crime
Arcade Fire Cold Wind
My Morning Jacket Gideon
Grandaddy Pull the Curtains
Bees One Glass of Water
The Strokes Juicebox
The 88 Hide Another Mistake
Coldplay Kingdom Come
The White Stripes I'm Lonely (But I Aint That Lonely Yet)
Posted by
Trent
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11:50 PM
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Considering PJ and Zeppelin are my favorite acts of all-time (along with the Beatles of course) this would have been the coolest thing ever. Check out the second encore!!!
Given to Fly, which is a rip off of Going to California followed by Going to California. Also, Zeppelin never played Fool in the Rain Live. Ever.
Set list: Love Boat Captain, Grievance, Do The Evolution, Even Flow, Dissident, Small Town, Corduroy, Green Disease, Daughter, 1/2 Full, I Am Mine, Better Man, Black, Alive, Save You, Porch
1st encore: Man of the Hour, Hard to Imagine, I Got Shit, Rearviewmirror
2nd encore: Given To Fly, Going To California (by Led Zeppelin) w/ Robert Plant and Strange Sensation, Little Sister w/ Robert Plant, Money That's What I want w/ Robert Plant, Fool In The Rain (by Led Zeppelin) w/ Robert Plant, Thank You (by Led Zeppelin) w/ Robert Plant
3rd encore: Rockin' in the Free World
From Playboy back in the day:
PB: Over the years, which band is most guilty of being a Zeppelin soundalike?
RP: Blimey. I'd probably say the Beastie Boys.
PB: Seriously
?RP: Well, that's how they got started, isn't it?
PB: You mean sampling Zeppelin riffs?
RP: Yeah, but I don't think they could get all the high notes.
PB: Have you ever heard a truly great Zeppelin cover?
RP: Well, you can't say Dolly Parton [who recently covered Stairway to Heaven], can you? No, I don't think I have. Isn't that sad after 30 fucking years?
PB: Sure is. Now it's time to play "Name That Tune." I'll play a song that "borrows" from Zeppelin and you have tell me which song it borrows from.
RP: That's quite imaginative, isn't it? That's a demo of a very early version of Kashmir [from Physical Graffiti]. Who did that?
PB: Creed.
RP: Oh, Christ. How old is that track then?PB: It came out last year.
RP: What's it called?
PB: My Sacrifice.
RP: [Writing down the name of the artist and song] Fucking hell. How original can you get? All right, so you've been caught, boys.They all sing like the guy out of, um....
PB: Pearl Jam. Eddie Vedder.
RP: Yeah.PB: Here's another.RP: All My Love [from In Through the Out Door] mixed with That's the Way [from Led Zeppelin III].
PB: This was a Grammy Award-nominated song by Wyclef Jean called Gone Till November.
RP: [Writing down the name of the artist and song] Christ. I can go skiing in the winter.PB: We're relatively sure you've heard this one.
RP: I saw Eddie Vedder in Oslo the night before that really unfortunate accident in Roskilde [the June 30, 2001 Pearl Jam show when nine fans were crushed to death], and we share the agent, not carnally, but literally, in Europe, and so I went backstage and was introduced to him. Nice guy, nice band, good people. I said, "How's that song doing that we wrote?" He said, "Ah, it's coming along fine." So I stood at the lighting desk and I was enjoying the show and he got to that song and he said, "Here's a song that we wrote for a guy out there somewhere in the dark." It's very close [to Going to California from Led Zeppelin IV], isn't it?
PB: Here's a curveball.
PB: When you first heard it, what'd you think?
RP: Well, it had to be sent to me, hysterically, for my approval afterwards. It's like that TV ad. It works.
PB: So you don't mind it?RP: I don't care. No, because it works. The riff is great. It's Jimmy's riff. It put Jimmy in a different place, which is exactly what I do with Strange Sensation [his touring band]. I think it's what music is all about. So much energy and creatively over the years and I don't give a hoot which way it works, so long as when it's working we all know what the game is. And if people sample stuff, that's fine, provided that they own up.
Posted by
Trent
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7:26 AM
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Tomorrow night (Friday the 30th) Dan Wilson is going to catch Jamie Moyer during the first inning of the game. He is retiring at the end of the season and this will be his farewell game.
So, if you are a Dan Fan (how can you not be?) then you'll want to watch and see the ovation that the fans give him. It should be fun to see.
Posted by
ericdagg
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3:35 PM
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One of my heroes as a journalist and film maker. His Vanilla Sky soundtrack was more or less stolen from my ITunes and he LOVES the Power and the Glory that is Led Zeppelin.
Cool essay indeed.
Posted by
Trent
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8:31 PM
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Music.
Sometimes it?s all you need. No fancy light show. No video screens. No elaborate stage design. No circus midgets. Sometimes, just sometimes, the music is enough.
Pearl Jam proved this beyond a shadow of a doubt last night at the MTS Centre in front of 16,000 screaming fans and you?d be hard pressed to find a single complaint from anyone there.
Armed with only their instruments and some bare bones lighting, the pioneers of grunge showed why they are one of the only surviving bands from the infamous ?Seattle scene.? With no new album since 2002?s Riot Act and not a lot of promotion leading up to the concert, Pearl Jam played to a record (and deafening) crowd at the arena and proved that like a fine wine, they only get better with age.
Even before they took the stage and started playing the opening notes of Betterman, the energy in the arena was overwhelming. They ploughed through almost three hours of material that ranged from set-list rarities such as Sad, In My Tree and In Hiding to grunge anthems Jeremy, Alive and Black. They took old classics like EvenFlow and Daughter and turned them into eight-minute jam sessions and improvs (during Daughter a fan?s cell phone made it onto the stage and lead singer Eddie Vedder led the crowd with a sing-a-long into the phone that may go down in history as the greatest voice mail ever to be received). They took a song like Do The Evolution and used it to turn the entire MTS Centre into a giant pogo-ball. They took all the energy that Winnipeg could muster and gave it right back to us. And yet the crowd just wouldn?t stop giving.
?We have to say that this is without a doubt the loudest crowd,? said Vedder when he finally addressed the crowd after ripping through the first five songs. ?The pre-show crowd, it was insane out here, we didn?t know what the f*ck was going on, and all we could think was, we hope they?re pacing themselves.?
And pace ourselves we did.
For almost three hours fans were taken on a roller coaster ride of music and emotion. From the 58-second intense rocker Lukin to the beautifully haunting Indifference to the arm raising Given To Fly, fans couldn?t help but sing and cheer. For years Winnipegger?s have seen all the impostors come and go. Nickleback, Creed, Default, Lifehouse. Each one trying to imitate Vedder?s booming baritone. But last night, Vedder showed why he can?t be duplicated. It?s not just about his arena filling voice or his trademark wails, it?s about the emotion and honesty that he puts behind every word and action that he does. From his gut wrenching screams during Blood that evoke all the pain of being ripped apart from the inside, to the sincere heart-breaking whisper of, ?we didn?t belong?we didn?t belong together,? at the end of Black, Vedder shows that music means more when you mean it yourself.
But this wasn?t just the Eddie Vedder show. The rest of Pearl Jam played like it was 1992 all over again. Guitarist Mike McCready was by far the most animated of the group. Between his giant jumping windmills or smiling and interacting with the fans by simply pointing and nodding, McCready played with all the appreciation and energy of someone performing in front of an audience for the very first time. Bassist Jeff Ament and guitarist Stone Gossard kept pace with McCready while drummer Matt Cameron proved why he is arguably one of the best drummers alive today. The group has also added keyboardist Boom Gasper to their touring line-up and watching the give-and-take that he and McCready did during the extended Crazy Mary solo was nothing short of musical magic.
And just in case the near three-hour, two encore, 29-song show wasn?t enough, the boys from Seattle decided to end the evening with two songs from ?Uncle Neil? (Neil Young) to the rabid delight of hometown fans. And as the first notes started to play on the evening?s final song, Rockin in the Free World, the house lights were completely up and the sight within the arena was absolutely spectacular. All 16,000 people still going strong, still standing, still clapping and still singing loud enough to almost drown out the music.
?Winnipeg, I?m gonna say this and I mean it,? said Vedder smiling and looking all around the arena in awe, ?you?ve been absolutely f*cking amazing!! Absolutely?f*cking?amazing!!!! ?
The thing is, you?d be hard pressed to find anyone there who wouldn?t say the same thing about them.
Just goes to show, sometimes, just sometimes, the music is enough.
No fancy lighting, elaborate stages, fancy video projectors.
Just the music.
Posted by
Trent
at
10:54 PM
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